- #Komplete 12 ultimate run through upgrade#
- #Komplete 12 ultimate run through software#
- #Komplete 12 ultimate run through download#
CHECK YOUR INSTRUMENTSĪmongst the other headliners for the Komplete 12 release are the three new wavetable-based instruments. This probably gets overlooked a little in general discussions about the Komplete packages and is certainly something to bear in mind if you’re considering delving into the NI world for the first time. The suite of audio plug-ins that come with Komplete 12 Ultimate includes EQ, dynamics, reverb, modulation and drive/saturation plugs and they are quite a formidable set of quality tools for mixing.
#Komplete 12 ultimate run through download#
On a slightly odd note for a major upgrade, the new Massive X will not be available till February 2019 and will be a free download for Komplete 12 owners… hopefully it’ll be worth the extra wait. I’ll focus on the new offerings here but it’s worth noting that all my old favourites in the basic Kontakt Factory Library have survived here as well as key stand-alone compositional, sonic and beatmaking instruments such as Reaktor, Absynth, Guitar Rig, FM8, Battery and Massive. Komplete 12 Ultimate is NI’s upper-mid level package and comes with a pretty epic array of sounds and effects. Under the hood, new features for instrument builders include a tasty set of delay, reverb and wah effects modules as well as a wavetable synthesis module, script debugging and an Instrument Editor, which can load and run Lua scripts to automap samples, duplicate and batch rename groups, and copy settings from one part of an instrument to another. There are improvements to routing and modulation set-ups, new time-stretching and pitch shifting algorithms and the player now offers a total of 92 built-in effects modules - enough to keep even the twitchiest sonic tweaker happy. While the complexity of new instruments requires ever greater processing power, Kontakt 6 has maintained quick load times and efficient DSP usage. I’m totally fine with this lack of new bells and whistles although the ongoing lack of a GUI re-sizing option will irritate some. The new Kontakt 6 player is a subtly enhanced continuation of previous versions and operates in more or less identical fashion while maintaining the old look.
#Komplete 12 ultimate run through upgrade#
NI’s reputation for rock-solid coding, the wide variety of great sounding instruments and large field of third-party sound library partners means any upgrade needs to be carefully implemented, and the company errs on the conservative side in terms of tweaks to its basic platform. Native Instruments Komplete with its Kontakt sample player and instrument library system has been the biggest platform in this sector for many years. I chose the Ultimate version that includes some interesting new instruments and effects, as well as 20 expansion packs. My version of Native Instruments’ Komplete was getting pretty long in the tooth so I was happy to upgrade to the the newly-released Komplete 12 version and see what new sonic treats were in store.
#Komplete 12 ultimate run through software#
Along with new features, layouts and graphic design eye candy, major updates can often sabotage long-favoured ways of working, make certain workflows harder to implement and altogether delete features that you thought were irreplaceable.Īudio software developers are by no means immune to the latter so it’s always with a combination of excitement and trepidation that most of us embark on major updates to our mission-critical audio programs. it‘s cheap, has a powerful community, is easy to learn and it has an outstanding performance and is damn stable.Anyone who’s recently had their email or bank website ‘revamped and improved’ will tell you that change isn’t always for the better. I for example use S1 and Reaper and the later is often the ideal choice as a secondary DAW. Besides the fact, that AU doesn‘t have MIDI-Out, which I need to be able to record the output (single notes) of an arpeggiator to a new track, AU often also have a worse performance, than their VST counterpart.Ĭonclusion: In many cases it makes sense to work with two DAWs. In general Logic is a no-go for me, because of the missing VST support. it has much more to deliver, than just transport. But for S1 I bought a Presonus Atom, which makes the transport control of the keyboard absolete. the transport doesn‘t work in Studio One for example, but for Reaper a community based solution exists.
Best example is the new Kontrol-S MkII, which is not fully supported in most DAWs. I don‘t have one, only a Kontrol S49 Mk1.Įspecially regarding the „collaboration“ between Maschine and Kontrol-S might it be worth to open a new thread in the Kontrol-S forum.īut when talking about DAW choice, there is something more to take into consideration. Click to expand.I can‘t help you with Maschine.
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